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Latest Articles in this Channel:
- 03/05/10--08:51: Re: Herrington and Akers on the Oscars, Part 5: Director and Picture (chan 2538583)
- 03/05/10--09:05: Re: Herrington and Akers on the Oscars, Part 5: Director and Picture (chan 2538583)
- 03/05/10--09:19: Re: Herrington and Akers on the Oscars, Part 5: Director and Picture (chan 2538583)
- 03/05/10--09:31: Re: Herrington and Akers on the Oscars, Part 5: Director and Picture (chan 2538583)
- 03/05/10--09:51: Re: Herrington and Akers on the Oscars, Part 5: Director and Picture (chan 2538583)
- 03/05/10--09:53: Re: Herrington and Akers on the Oscars, Part 5: Director and Picture (chan 2538583)
Thanks for reminding me to add Serious to my queue. But you just can't have Hurt Locker winning best picture.
Posted by 38103
"as much as I like Inglourious Basterds, I think it's his least successful film since Reservoir Dogs." We've had this conversation before, I know.
Posted by Chris Davis
Adding: I think A Serious Man should take the prize. But it doesn't have a chance.
Posted by Chris Davis
Reservoir Dogs is Tarantino's most mechanical, least heartfelt film -- and, perhaps not coincidentally, his only film without a strong female presence. He writes better for women.
Posted by Chris Herrington
After the first hour Death-Proof is stale. But the first hour is great.
Posted by Chris Davis
'''' I forgot to include any random apostrophes in the last post. So there.
Posted by Chris Davis